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</a> "We had to create a viable play, rather than just try to put the novel on its feet 扐聙聯 because you can't do that," he said. "In a novel you take your time, you enjoy the pictures it creates in your mind, you go back and reread." The big difficulty for Poulton was editing the hefty story down without losing the clarity and detail. The writer, who has worked closely with Mantel, has spoken of the pain of choosing what to leave out. "The one thing you can't do is condense it and say we'll do broad brushstrokes. You can't ask an actor to play broad brushstrokes."
(11/07 02:22 62-210-152-149.rev.poneytelecom.eu)

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